On the Nature of Nuclear Hexagrams

Nuclear Hexagrams are a frequently-misunderstood mystery of the I Ching.  In The Magician's I Ching I attempted to give a brief explanation of how to understand them.  They can be understood as "nuclear hexagrams" because they are the hexagram the exists inside the "nucleus" of a hexagram: the lower trigram of a nuclear hexagram consists of lines 2, 3 and 4 of the original hexagram, and the upper trigram consists of lines 3, 4 and 5 of the original hexagram.

So for example, Hexagram #19:

has as its nuclear Hexagram #24:

I have seen some people mistakenly look at nuclear hexagrams in an I Ching casting as if it was some additional part of the divination process on its own, as if there was some random element to it which contributed to the 'fortune telling' itself. But the nuclear hexagram is static, every hexagram only has a single nuclear (though in the cases of Hexagram #1 and Hexagram #2, they are their own nuclear).
In fact, Nuclear Hexagrams are part of a system of clusters or connections between hexagrams.  On the cover of The Magician's I Ching, you can see this pattern depicted artistically:

The nuclears show you groups of common hexagrams which can be understood to interact in special ways. Their main practical use is for the purpose of contemplating the mysteries and deepening one's understanding of the I Ching as a whole and of the individual hexagrams. The relationship of the hexagrams connected by their nuclear provides important insights.

Let's look, for example, at the hexagrams that have Hexagram #23 as their nuclear:

Hexagram #23 is "Shedding".

In this set of four hexagrams with #23 as their nuclear, for example, you can see the pattern that starts first with the effort of beginning, with Hexagram #3, "challenge":

Then as you build up, it leads to bringing things together, with Hexagram #8 "Union":

 After this, you move to reaching beyond the level of the foundations to be able to discover the greater mastery that is more than the sum of its parts, with Hexagram #20 "Contemplating":

And finally, to the state of making advance to a new level, with Hexagram #42 "Gaining":

So to put it another way, looking at it (for example) in the context of Cultivation: first the initial enthusiasm in the face of a vast undertaking, then the hard work of mastering the basic forms of the exercise, then when that is mastered of understanding what lies beyond the mere technical practice and exploring the essence, and then the genuine growth.

This needs to begin with Shedding (#23); you can almost imagine the "landslide" of Shedding, and following that landslide the tiny sprout of #3 breaking out of the shifted ground, then the hard work of growth, then the bearing fruit, and finally the harvest.
But it is also true that the nuclear governs at each step; as you move from one step to the next there needs to always be a process of shedding off some of what you are doing to make room for the next stage of growth.

In your own I Ching studies, first you need to study and learn the basic meanings of each hexagram by itself. But once you're ready to go deeper, studying the nuclears and the connections between the hexagrams and their nuclears will be of great use for developing a larger understanding of the greater mysteries of the I Ching.

On the Origin of the I Ching's Lines

How did the lines of the I Ching get the text they did?

1. Often considerations have to do with the nature of the line, especially if its the only line of its type (yin or yang) in the hexagram.

2. The position of the line determines its overall role; so for example the first line is always about beginnings, the sixth about endings, in some sense.

3. In terms of the specific examples, they are often taken out of either common folk stories/sayings, or from events in the pre-zhouyi history (especially events relating to the royal lineage of Zhou, or sometimes of the Shang dynasty they eventually deposed).

But there is also an esoteric aspect that frequently emerges.

Look at a line and its text. Now consider this in the light of three different trigrams:
1. The trigam that line is found in.

2. The trigram that would result when that line changes.

3. The Nuclear trigram that rules it (generally the lower nuclear for lines 1-3 and upper nuclear for lines 4-6, but in the case of line 4 it can sometimes be either).

Studying the qualities that these trigrams have (the elements they are associated with, the qualities of nature they are associated with, and the qualities or spiritual concepts these represent), you will find that the line's text relates to aspects of those three trigrams.